Angourie Rice is the internationally recognised Australian actor whose career stretches from independent cinema to Marvel’s Spider-Man films, Mean Girls, Mare of Easttown and the Apple TV drama The Last Thing He Told Me. Her younger sister, Kalliope Rice, has followed a quieter but increasingly professional path behind the physical action of screen production. They were raised by director Jeremy Rice and playwright Kate Rice in a household where theatre, filmmaking, books and performance were ordinary parts of family life. Their careers share that foundation, but not the same scale, publicity or direction.
Essential Facts
| Category | Angourie Rice | Kalliope Rice |
|---|
| Nationality | Australian | Australian |
| Public profession | Actor, author and podcaster | Provisional stunt actor; former child performer |
| Birth information | Born 1 January 2001 in Sydney | Exact birth date has not been authoritatively disclosed |
| Parents | Director Jeremy Rice and writer/playwright Kate Rice | Director Jeremy Rice and writer/playwright Kate Rice |
| Selected acting credits | The Nice Guys, Spider-Man trilogy, Ladies in Black, Mare of Easttown, Mean Girls, Finding Emily | Harmony of Twists, Bonsai, Purple |
| Stunt credits | No established professional stunt career | Together, Beneath the Storm, Neighbours, Surviving Summer |
| Specialist skills | Acting, singing, writing and podcasting | Acrobatics and gymnastics |
| Major literary work | Co-author of Stuck Up and Stupid and My Wonderful Disgrace | Recurring guest on The Community Library |
| Professional standing in 2026 | International film and television lead | Stunt Actor Provisional listed by Stunt Book Australia |
A Childhood Built Around Stories and Performance
The Rice sisters grew up in a family where creative work was not treated as a distant or glamorous profession. Their father, Jeremy Rice, has worked as a director, while their mother, Kate Rice, is a writer and playwright who has also been publicly described as a musician. Angourie has spoken about making homemade films, writing her own material and playing characters before she had a professional career. Kalliope also grew up with the same practical exposure to theatre and production, which shaped her eventual interest in screen work. The family’s everyday experience gave both sisters an unusually practical understanding of how stories are constructed.
The family moved repeatedly during the sisters’ childhood. Angourie was born in Sydney on 1 January 2001, spent approximately five years in Perth, and lived in Munich for about a year before the family settled in Melbourne. That movement shaped her early years, while Perth remained the place where her first acting work developed. Reputable biographical accounts identify Sydney as her birthplace.
Public information about Kalliope’s birth is considerably less secure. Several entertainment databases list her birth year as 2004, but no authoritative interview, official profile, or public record found for this article confirms her exact date of birth. Angourie’s own podcast transcript establishes that Kalliope was completing her final year of Victoria’s VCE school programme during Melbourne’s 2021 lockdown, but that information is not precise enough to publish an exact age as verified fact.
Even the sisters’ names reflect the family’s literary imagination. Angourie was named after the coastal New South Wales community associated with her grandmother. In a 2021 podcast conversation, the sisters explained that their parents chose Kalliope while aware of its connection to Calliope, the Greek Muse traditionally associated with epic poetry and eloquence.
Angourie Rice’s Early Screen Career
Angourie began acting professionally while still a child in Western Australia. She appeared in short-form productions and drew early industry attention through Transmission, directed by Zak Hilditch. Her performance led to a larger role in Hilditch’s apocalyptic drama These Final Hours, released in 2013. She also appeared in the live-action sequences of Walking with Dinosaurs and accumulated Australian television work in programmes including The Doctor Blake Mysteries, Worst Year of My Life Again and Mako: Island of Secrets.
This early period matters because Angourie did not arrive through a single viral role or celebrity connection. She learned screen acting through short films, commercials, television appearances and Australian independent production. That foundation later shaped her performances, which often feel observant and understated even beside more demonstrative actors.
Her international breakthrough came with Shane Black’s The Nice Guys in 2016. Playing Holly March, the intelligent daughter of Ryan Gosling’s struggling private investigator, Rice was required to hold her place beside Gosling and Russell Crowe without reducing Holly to a precocious-child stereotype. The film brought her to a much larger international audience and accelerated the split that would shape her adolescence: ordinary school life in Australia alongside major productions and overseas publicity. Rice later compared the experience to living a “Hannah Montana” existence.
Marvel, Australian Cinema and a Growing International Profile
In 2017, Angourie joined the Marvel Cinematic Universe as Betty Brant in Spider-Man: Homecoming. She reprised the character in Spider-Man: Far From Home in 2019 and Spider-Man: No Way Home in 2021. Betty was not the trilogy’s central character, but the films gave Rice consistent visibility within one of the world’s largest entertainment franchises.
The experience was also a family affair in a less public sense. On The Community Library, Angourie and Kalliope revealed that Kalliope and their mother accompanied Angourie throughout the filming of Spider-Man: Far From Home, frequently visiting the set and spending time with the cast and crew. Kalliope recalled seeing pyrotechnic stunt work, an experience that later resonates with her decision to pursue stunt performance professionally. It also shows that her connection to screen production developed alongside Angourie’s.
Angourie continued working in Australian and international cinema rather than allowing the Marvel role to define her. Her credits during this period included Jasper Jones, The Beguiled, Every Day and Ladies in Black. Her performance as Lisa in Ladies in Black earned her an AACTA Award for Best Actress in a Leading Role, confirming that she could carry a film rather than function only as a supporting presence in larger productions.
Mare of Easttown and the Move Into Adult Roles
The HBO limited series Mare of Easttown marked an important stage in Angourie’s transition from child and teenage roles. She played Siobhan Sheehan, the daughter of Kate Winslet’s troubled police detective, in a drama built around grief, family resentment and a murder investigation in a close Pennsylvania community.
Rice had to master the distinctive Delaware County accent while contributing to a large ensemble in which nearly every relationship carried unresolved emotional weight. The role allowed her to play uncertainty and frustration without the brighter comic register associated with Betty Brant or Holly March. It also placed her alongside performers including Winslet, Jean Smart and Julianne Nicholson in one of 2021’s most closely scrutinised television dramas.
Her next prominent projects demonstrated deliberate range. In Honour Society, she played an ambitious student attempting to manipulate her way into an elite university. In the 2024 musical adaptation of Mean Girls, she inherited the role of Cady Heron, originally played by Lindsay Lohan in the 2004 film. Rice’s interpretation was generally more restrained than the theatrical Broadway version, presenting Cady as watchful and socially uncertain before her absorption into the school’s hierarchy.
Angourie Rice as an Author and Podcaster
Acting is only one part of Angourie’s public creative work. She launched The Community Library, a podcast about books, interpretation and storytelling, in 2019. Rather than treating reading as celebrity lifestyle content, the programme has included literary discussions, audio essays and conversations about how stories acquire meaning.
Kalliope became one of its recurring guests. Episodes featuring the sisters covered subjects ranging from Jane Austen and Shakespeare to Die Hard, fairy tales and ordinary sibling disagreements. Their exchanges reveal a relationship that is affectionate but resistant to polished publicity. Kalliope jokes at Angourie’s expense; Angourie presents her sister as the person least likely to be impressed by fame. Kalliope, in turn, brings her own voice to the partnership rather than simply reacting to Angourie.
“I’m just not an influencer.” — Kalliope Rice, The Community Library.
Angourie has also established a writing partnership with her mother. Stuck Up and Stupid, their contemporary young-adult reworking of Pride and Prejudice, drew on their knowledge of film production and celebrity culture. The pair followed it with My Wonderful Disgrace, published in May 2026. Their collaboration extends the family’s creative identity beyond acting and into fiction, with Kate contributing her experience as a playwright and Angourie bringing the perspective of someone who grew up inside international screen production.
Angourie Rice’s Position in 2026
By 2026, Angourie had moved beyond the category of former child actor. Season two of The Last Thing He Told Me premiered on Apple TV on 20 February 2026, returning her to the role of Bailey opposite Jennifer Garner. The second season advanced the relationship between Bailey and her stepmother Hannah after the return of Bailey’s fugitive father, Owen.
She also co-starred with Spike Fearn in Finding Emily, a Manchester-set romantic comedy released in the United Kingdom in May 2026. Rice played an American psychology student who becomes involved in a musician’s search for another woman named Emily. The performance placed her at the centre of a theatrical romantic comedy rather than inside an ensemble or established franchise.
At 25, Rice has already worked across Australian independent film, studio franchises, prestige television, musical comedy, podcasting and young-adult publishing. Her career has expanded without requiring her to turn her private life into a parallel entertainment product. She has explicitly described withholding parts of her personal life to preserve a stable identity outside of acting.
Kalliope Rice’s Early Acting Work
Kalliope’s public career began in short films rather than stunt work. Film databases credit her in the Australian shorts Harmony of Twists and Bonsai, both associated with 2011, and as Molly in Domini Marshall’s Purple in 2015. These productions did not create the international profile that Angourie’s early roles produced, and detailed production records remain limited. They nevertheless show that Kalliope was not simply observing her sister’s career from outside; she had direct experience of acting and film sets from childhood.
There is no substantial evidence that Kalliope pursued a continuous conventional acting career after those shorts. Her more recent professional record instead points toward the technical and physically demanding field of stunt performance.
The Shift From Acting to Stunt Performance
Stunt Book Australia lists Kalliope as a Stunt Actor Provisional, based in Victoria and affiliated with the Media, Entertainment & Arts Alliance. The provisional designation is more precise than simply describing her as someone “training to become” a stunt double: it places her within Australia’s professional stunt grading structure while indicating that she is still developing experience toward a higher classification.
Her listed feature-film credits include doubling Alison Brie on Together and a doubling assignment on Beneath the Storm. Her television record includes doubling actor Sara West on Neighbours and appearing as a stunt partygoer in Netflix’s Australian series Surviving Summer. The same profile identifies acrobatics and gymnastics as her specialist skills.
This path requires a different form of screen presence from Angourie’s. A stunt double may need to reproduce an actor’s posture, movement and physical proportions while performing actions that must appear spontaneous but have been planned around timing, camera placement and safety. Recognition is often deliberately transferred to the character rather than the performer. Kalliope’s work, therefore, exists within visible productions while remaining largely invisible to audiences.
Public descriptions have also labelled her a bouldering athlete and children’s gymnastics coach. Those claims may originate in personal or social media material, but reliable public sources identified for this biography did not independently establish a competition record or coaching position. Her verified stunt profile supports a background in acrobatics and gymnastics, but stronger claims about employment or competitive status should not be presented as settled fact without primary confirmation.
Why Kalliope Maintains a Lower Public Profile
Kalliope has addressed the difference between her visibility and Angourie’s directly. During the sisters’ 2021 podcast Q&A, she explained that she did not maintain a public-facing Instagram identity and did not particularly want to construct a brand around being “Angourie Rice’s sister.” The exchange was comic, but its underlying point was clear: lower visibility was not evidence of estrangement, rivalry or professional failure. It was a boundary.
She also described the strange experience of watching Angourie act. Because she knows her sister’s natural expressions, laugh, and habits, she sometimes finds herself separating genuine Angourie mannerisms from those of the fictional character. The observation offers a more credible account of their relationship than generic descriptions of celebrity siblings as either inseparable or competitive. Kalliope is close enough to the work to understand it, but close enough to Angourie not to be seduced by the screen image.
No reliable reporting supports the idea of a feud between them. Their podcast appearances, shared family experiences on film sets and Angourie’s repeated references to relying on her sister and parents all indicate an ongoing family relationship. In 2026, Angourie said that speaking with her mother, sister, father, and long-term friends remained central to how she stayed emotionally grounded.
Key Takeaways: The Bottom Line
The Rice sisters illustrate two very different outcomes of the same creative upbringing. Angourie Rice became a highly visible actor whose work connects Australian cinema, Hollywood franchises, prestige television and publishing. Kalliope Rice moved from childhood acting into stunt performance, a profession that depends on technical skill and physical control rather than public recognition.
Kalliope should not be portrayed merely as a celebrity sibling waiting for fame. Her verified stunt work represents an independent professional direction. At the same time, her story remains underdocumented, and responsible biography requires leaving unsupported claims—including an exact birthday, coaching career, or competitive athletic record—unresolved.
Their shared history is not a tale of one successful sister and one hidden sister. It is a study in how two people raised around the same stages, scripts and cameras can define creative success in fundamentally different ways.
(FAQs)
Who is Kalliope Rice?
Kalliope Rice is Angourie Rice’s younger sister, a former child performer and an Australian provisional stunt actor with film and television credits.
Is Kalliope Rice an actress?
She appeared in short films from her childhood, including Bonsai, Harmony of Twists and Purple, but her current professional profile is centred on stunt performance.
What stunt work has Kalliope Rice done?
Her listed credits include doubling work on Together, Beneath the Storm and Neighbours, as well as a stunt appearance in Surviving Summer.
Are Angourie Rice and Kalliope Rice close?
Their public podcast conversations and Angourie’s interviews indicate an affectionate relationship based on humour, family support and respect for Kalliope’s privacy. No credible evidence supports rumours of a feud.
What is Angourie Rice doing now?
In 2026, Angourie appeared in season two of The Last Thing He Told Me, starred in Finding Emily and published My Wonderful Disgrace, her second novel co-written with Kate Rice.
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